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The Birth, Growth and Legacy of the Black Music Industry Association

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Against the vibrant backdrop of 1985, a group of passionate individuals came together, united by a shared vision. This collective, primarily comprised of black musicians, recognised a pressing need for an organisation dedicated to addressing the unique challenges faced by artists in the black music scene. Thus, the Black Music Association (BMA) was born, its founding members including notable figures like Byron Lye-Fook—father of acclaimed singer-songwriter Omar—and producer Scratch Professor, along with Root Jackson, Gasper Lawal, KK Van Lare, Kofi Darko, and Charles Easmon. The official launch of the BMA was marked by a significant seminar at the Shaw Theatre in Euston on July 13, 1985—the very day of the legendary Live Aid concert. The atmosphere was electric as the organisation took root, operating from the Kongo Records offices owned by Root and Byron on Mill Hill Lane, near Kilburn. When Black Insight, another voluntary organisation, closed its doors, the BMA seized the opportu...
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“The Cool Ruler": A Night with Gregory Isaacs in Musical Form

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On Saturday 7 th June, I had the opportunity to attend and watch “The Cool Ruler”, at The Broadway Theatre; I have to say, I was thoroughly impressed! Who was Gregory Isaacs? In the heart of Kingston, Jamaica, a legend was born. Gregory Isaacs, hailing from the working class neighbourhood of Fletcher's Land, emerged as a beacon of reggae music that would resonate around the world. As we celebrate what would have been his 75th birthday, the musical "THE COOL RULER" pays tribute to this extraordinary artist whose smooth voice and suave presence captivated audiences everywhere. Gregory's journey began in the bustling streets of Kingston, where the rhythms of American R&B blended with the vibrant sounds of local Jamaican music. Influenced by the thriving soundsystem culture, young Gregory found himself drawn to the magic of music. He took his first steps into the spotlight at school concerts and local shows, honing his unique vocal skills and developing a style t...
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CELEBRATING A DECADE OF REGGAE FRATERNITY UK - PART 2

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As Reggae Fraternity UK (RFUK) continues its vibrant journey into the 10th year of its existence, we look back on more of the highlights and what has been achieved… One of the initiatives of RFUK was that of the  birthday flyers; this began in 2019 and continues to thrive. This project celebrated the birthdays of UK-based reggae artists and musicians, fostering a sense of community and connection among reggae enthusiasts. The vibrant and culturally representative templates designed for the flyers became highly sought after, serving not only as a celebration of individual artists but also as a means to cultivate a lively UK reggae community. The purpose was clear: to add value to the reggae genre and promote cohesion within the community. RFUK also continued to honour its rich heritage; during Black History Month in October 2020, RFUK celebrated the "Outstanding Reggae Music Achievements" of artists from the Caribbean, particularly highlighting the Windrush Generation and th...
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Celebrating a Decade of Reggae Fraternity UK: Part 1

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On the evening of April 15, 2015, at Market House, 443 Coldharbour Lane, Brixton, a pivotal gathering unfolded—one that would change the landscape of reggae music in the UK forever. Artists, promoters, producers, and devoted supporters of reggae converged for a meeting that had been long overdue. It was not just another event; it was the culmination of frustration and a shared commitment to address the injustices faced by artists in the industry. Time and again, artists had been treated poorly by promoters, and the collective sentiment was clear: enough was enough. Amidst this wave of discontent, a spark ignited. Sutara Gayle, also known as Lorna G, stepped forward. A multifaceted talented singer, DJ, and seasoned veteran of the music business—Sutara understood the struggles and the potential for change. She proposed that the community unite, to openly discuss the issues and envision a supportive framework for artists—a kind of sanctuary where their voices could be amplified.   ...
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